Foundation for Contemporary Arts
Dorian Wood stands at a microphone in front of a projected purple-and-white image of a person with a long lock of hair covering their eyes. She wears a green and white patterned long sleeved dress and is illuminated by soft purple light.
News

New Creative Research Grants Program for Artists Launched by Foundation for Contemporary Arts

Foundation for Contemporary Arts announces a new Creative Research Grants program distributing $300,000 to an inaugural cohort of 30 experimental artists and collectives

Dorian Wood, 2025 Grants to Artists Recipient. Performance still from Musa Cerdota at Dunlop Art Gallery, Regina, Saskatchewan, 2024. Photo by Juan Peiró.

Learn MoreClick to learn more

Dorian Wood, 2025 Grants to Artists Recipient. Performance still from Musa Cerdota at Dunlop Art Gallery, Regina, Saskatchewan, 2024. Photo by Juan Peiró.

Learn MoreClick to learn more
A vibrant watercolor and pencil triptych depicts a room filled with balloon-shaped patterns which contain fantastical creatures and microorganisms set against a dark background. In the center panel, a bird-like figure wearing a crown of vines stands atop a transparent dome filled with additional colorful microorganisms. The organisms throughout the work are highlighted in gold and appear in movement.
News

New Creative Research Grants Program for Artists Launched by Foundation for Contemporary Arts

Foundation for Contemporary Arts announces a new Creative Research Grants program distributing $300,000 to an inaugural cohort of 30 experimental artists and collectives

Fi Jae Li, 2025 Grants to Artists Recipient. Egg of Ego, 2018, ink, watercolor, color pencil, Korean gold pigment, acrylic on Korean paper, 75.4” x 153.3". Photo by Hexagon.

Learn MoreClick to learn more

Fi Jae Li, 2025 Grants to Artists Recipient. Egg of Ego, 2018, ink, watercolor, color pencil, Korean gold pigment, acrylic on Korean paper, 75.4” x 153.3". Photo by Hexagon.

Learn MoreClick to learn more
Shayla-Vie Jenkins kneels on a beach in a neon green outfit, pressing her fists into the ground as she extends her legs sideways. The sky is overcast and, in the background, additional performers dressed in similar neon green outfits crawl across the sand. Beachgoers are seen in the distance walking along the shoreline.
News

New Creative Research Grants Program for Artists Launched by Foundation for Contemporary Arts

Foundation for Contemporary Arts announces a new Creative Research Grants program distributing $300,000 to an inaugural cohort of 30 experimental artists and collectives

Shayla-Vie Jenkins, 2025 Grants to Artists Recipient. Performance still from REPOSE at Beach Sessions, Rockaway Beach, New York, 2021. Choreographed by Moriah Evans. Performed by Shayla-Vie Jenkins. Photo by Maria Baranova.

Learn MoreClick to learn more

Shayla-Vie Jenkins, 2025 Grants to Artists Recipient. Performance still from REPOSE at Beach Sessions, Rockaway Beach, New York, 2021. Choreographed by Moriah Evans. Performed by Shayla-Vie Jenkins. Photo by Maria Baranova.

Learn MoreClick to learn more
New Creative Research Grants Program for Artists Launched by Foundation for Contemporary Arts
News

New Creative Research Grants Program for Artists Launched by Foundation for Contemporary Arts

Foundation for Contemporary Arts announces a new Creative Research Grants program distributing $300,000 to an inaugural cohort of 30 experimental artists and collectives

Performance still from Deepe Darknesse at The Collapsable Hole, New York, 2023. Performed by Lena Engelstein and Lisa Fagan, 2025 Grants to Artists Recipients, and Hannah Mitchell. Photo by Maria Baranova.

Learn MoreClick to learn more

Performance still from Deepe Darknesse at The Collapsable Hole, New York, 2023. Performed by Lena Engelstein and Lisa Fagan, 2025 Grants to Artists Recipients, and Hannah Mitchell. Photo by Maria Baranova.

Learn MoreClick to learn more
Jennifer Harge performs a dynamic movement in an outdoor space with tall, ivy-covered walls and arched windows. She wears a white long-sleeved garment and lace-up boots, mid-step with one arm extended upward and her body leaning forward. In the background, an audience watches attentively in the sunlit venue with gravel flooring.
News

New Creative Research Grants Program for Artists Launched by Foundation for Contemporary Arts

Foundation for Contemporary Arts announces a new Creative Research Grants program distributing $300,000 to an inaugural cohort of 30 experimental artists and collectives

Jennifer Harge, 2025 Grants to Artists Recipient. Performance still from there are many ways to make a clearing presented by The Black Repertory at Spring Church, Pulitzer Arts Foundation, St. Louis, MI, 2023. Music: Kurt Carr and the Kurt Carr Singers, The Clark Sisters, Tamela Mann, and Twinkie Clark. Photography by Virginia Harold © Pulitzer Arts Foundation.

Learn MoreClick to learn more

Jennifer Harge, 2025 Grants to Artists Recipient. Performance still from there are many ways to make a clearing presented by The Black Repertory at Spring Church, Pulitzer Arts Foundation, St. Louis, MI, 2023. Music: Kurt Carr and the Kurt Carr Singers, The Clark Sisters, Tamela Mann, and Twinkie Clark. Photography by Virginia Harold © Pulitzer Arts Foundation.

Learn MoreClick to learn more
David Watson, wearing a gray work jumpsuit and a baseball cap, plays the bagpipes indoors. He stands in front of a large industrial-style window with a weathered wall visible in the background, holding the bagpipes under his arm.
News

New Creative Research Grants Program for Artists Launched by Foundation for Contemporary Arts

Foundation for Contemporary Arts announces a new Creative Research Grants program distributing $300,000 to an inaugural cohort of 30 experimental artists and collectives

David Watson, 2025 Grants to Artists Recipient. Performance still of RESTOS at Espacio Odeón, Bogotá, Colombia, 2021. Choreography by Moriah Evans. Photo by Andres Trujillo.

Learn MoreClick to learn more

David Watson, 2025 Grants to Artists Recipient. Performance still of RESTOS at Espacio Odeón, Bogotá, Colombia, 2021. Choreography by Moriah Evans. Photo by Andres Trujillo.

Learn MoreClick to learn more
Ebony Webster, Jude Evans, and Fletcher Laws are in a shallow stream surrounded by lush greenery. One performer lies in the water with their eyes closed, while the other two stand to their side. The downstream performer holds a bunch of flowers and foliage over the person lying in the stream, and the upstream performer gently places a hand on their forehead. All three wear white outfits.
News

New Creative Research Grants Program for Artists Launched by Foundation for Contemporary Arts

Foundation for Contemporary Arts announces a new Creative Research Grants program distributing $300,000 to an inaugural cohort of 30 experimental artists and collectives

Ebony Noelle Golden, 2025 Grants to Artists Recipient. Performance still from 79 Moons: a visual poem at Double Edge Theatre, Ashfield, MA, 2022. Performed by Ebony Webster, Jude Evans, Fletcher Laws, Karma Mayet Johnson, and Brittany Grier. Photo by Bleu Santiago.

Learn MoreClick to learn more

Ebony Noelle Golden, 2025 Grants to Artists Recipient. Performance still from 79 Moons: a visual poem at Double Edge Theatre, Ashfield, MA, 2022. Performed by Ebony Webster, Jude Evans, Fletcher Laws, Karma Mayet Johnson, and Brittany Grier. Photo by Bleu Santiago.

Learn MoreClick to learn more
Our Mission

FCA encourages, sponsors, and promotes innovative work in the arts

Learn MoreClick to learn more

2025 Grants to Artists Awards2025 GranteesSee All 2025 GranteesView All

23 artists working in 5 disciplines

Javier Cardona Otero looks directly at the camera with his head tilted slightly. He is standing indoors against a softly lit background, and wearing round brown glasses and a white textured shirt.
Javier Cardona Otero
Robert Rauschenberg Award
Performance Art/Theater
Alex Tatarsky stares at the camera, using their hands to pull their mouth into a smile. They wear bright red lipstick, a black cap, a feathered top and a green coat. They stand against a red fabric background under bright lighting.
Alex Tatarsky
Grants to Artists
Performance Art/Theater
Jennifer Harge looks directly at the camera in a close-up portrait. She is wearing a black tank top and layered gold necklaces, set against a textured wall with a workspace and art supplies visible in the background.
Jennifer Harge
Grants to Artists
Dance
A black and white portrait of Jon Kinzel, who is centered and staring straight at the camera. Against a dark background, he is in high contrast, wearing a light plaid shirt.
Jon Kinzel
Grants to Artists
Dance
Fi Jae Lee stands before a slightly blurred brick background under bright lighting. She smiles, facing the camera with her body angled slightly to the right. She wears a black long-sleeve shirt with her hands at her sides.
Fi Jae Lee
Dorothea Tanning Award
Visual Arts
Dorian Wood stands smiling against a black background. Centered, she faces the camera with her hands in her pockets. She wears a black dress with embroidered flowers and leaf earrings.
Dorian Wood
Grants to Artists
Music/Sound
Lisa Fagan and Lena Engelstein are photographed intertwined against a black background. Lisa is positioned in the back, her head tilted to the left with her arms around Lena’s torso. Lena is in the foreground, seated and gazing to the left, with her arms embracing Lisa’s legs. Lisa is wearing all black, while Lena is in a white tank top and pink shorts.
Lisa Fagan and Lena Engelstein
Grants to Artists
Dance
Shayla-Vie Jenkins is smiling against a black background with her hands raised in front of her body and clasped together. She is wearing a dark top under soft, neutral lighting.
Shayla-Vie Jenkins
Viola Farber Award
Dance

In Memoriam: Carolyn Brown (1927–2025). Carolyn Brown was a dancer, writer, founding member of the Merce Cunningham Dance Company, beloved member of the FCA community, and Board member for over 35 years (1966-2001).

In Memoriam: Carolyn Brown (1927–2025). Carolyn Brown was a dancer, writer, founding member of the Merce Cunningham Dance Company, beloved member of the FCA community, and Board member for over 35 years (1966-2001).

Photo by James Klosty.

FCA: Artists for Artists
About FCA

FCA: Artists for Artists

In 1962 Jasper Johns, John Cage, Robert Rauschenberg, and other painters and sculptors came together to help Merce Cunningham and his dance company finance a proposed season on Broadway by arranging for a sale of their artworks. Their fund-raising efforts were so successful that there was money to spare, and when they asked Cunningham what he thought they should do with it, he replied, “We’re all in the same boat—why don’t you give it to other performing artists?” Thus in 1963 Jasper Johns and John Cage established the Foundation for Contemporary Performance Arts based on the belief that visual artists—painters and sculptors—were sufficiently concerned about the state of the performance arts—dance, theater, and music—enough so to donate artwork to benefit performing artists. 

Learn MoreClick to learn more

Learn MoreClick to learn more
Grant Impact

“The greatest benefit of the award was having the luxury to develop work slowly and to experiment. Instead of rushing through my work under pressure to produce, I chose to work slowly, thoughtfully, spontaneously, and sometimes recklessly, taking time to look for something new instead of using old patterns and processes.”

— Annie Gosfield, composer
2008 Grants to Artists | Music/Sound

Works for SaleView AllView All

Purchase a donated artwork to support FCA's programs

A semi transparent peach-colored asymmetrical rectangle shape with an oval cut-out superimposed atop gray brushstrokes resembling a checkerboard weave pattern.
Sam Moyer
Untitled
black and blue, Sonia Louise Davis, 2017
Sonia Louise Davis
black and blue
Merce Cunningham and Dance Company (Target with Four Faces), Jasper Johns, 1968
Jasper Johns
"Merce Cunningham and Dance Company (Target with Four Faces)"
Untitled, Siobhan Liddell, 2010
Siobhan Liddell
Untitled

Follow UsInstagramView All