Lisa Fagan and Lena Engelstein

Artist Statement
Lisa Fagan and Lena Engelstein have worked together since 2017. Intensely physical and visually maximal, the pair’s works are rooted in dance-adjacent physicality but reimagine what choreography can be used to accomplish theatrically. They play out each other's ideas and endeavor to delight each other in performance, using trust in their collaboration to take risks.
Unburdening the body as solely responsible for making meaning, Fagan and Engelstein instead braid together three elements—physical performance craft, experimental structures, and site-responsive design—to affect audiences. They thrive in unconventional performative frameworks, fueled by the enigmatic, grueling process of making something worthy of an audience’s time.
Treating rigorous physicality as a source for ideas, "dance" is prioritized only insofar as it heightens performativity and deepens audience connection. The pair delight in running choreography through innovative structures that place it under pressure, purposefully restricting it to produce conditions that reflect the strange, strained mannerisms of contemporary social life.
Not quite dance, not quite theater, certainly not performance art, and somehow not quite dance-theater—their work lurks mischievously amidst all the above, taking the most rambunctious parts of each and dancing them.
- December 2024
Biography
Lisa Fagan and Lena Engelstein are dance makers who create theater, or theater makers who make dances, or some third thing. Obsessed with the audience and their attention, they have functioned as a cogenerative, circulatory idea machine since 2017, creating highly physical, intensely detailed performance works.
Fagan and Engelstein’s collaborative work Deepe Darknesse premiered at the Collapsable Hole in New York, NY (2023) and was remounted in 2024 as part of New York Live Arts’ Live Artery festival, with support from a Foundation for Contemporary Arts Emergency Grant. The piece employs a made-up backstory of semi-famous Italian pop singer Cocki Mazzetti and the framework of The Golden Ass, an ancient Roman novel written by Apuleius. In this frenetic, unrelenting physical theater work, performers exert extreme effort and employ hack rituals to push the needle towards their desired transformation. In 2025, Deepe Darknesse will tour to The Clarice Smith Performing Arts Center at the University of Maryland in College Park, MD and ODC Theater in San Francisco, CA.
Their other collaborations include Friday Night Rat Catchers, New York Live Arts, New York, NY (2025) and 1-800-3592-113592, MITU580, Brooklyn, NY (2024), directed by Fagan for interdisciplinary performance company CHILD, of which Engelstein and Fagan are members. Fagan has also created Catches No Flies (2020) and Red Carrots (2019)—both presented by the Exponential Festival in Brooklyn, NY—with Engelstein as a core collaborator. Fagan received a Foundation for Contemporary Arts Emergency Grant for Red Carrots.
Separately, Fagan choreographed for the opera HILMA (2024) at The Wilma Theater in Philadelphia, PA, produced in partnership with New York City-based theater company New Georges. Engelstein’s collaboration with Jo Warren, all I want is what you want, premiered at the 2022 Exponential Festival at The Brick in Brooklyn, NY.
The duo has been awarded a New York Live Arts Live Feed Creative Residency (2024-2025), and Fagan and Engelstein have each received the NYSCA Support for Artists Award in 2023 and 2025, respectively. With CHILD, they were artists in residence at Baryshnikov Arts Center, New York, NY (2023).
Fagan holds a B.A. from Bard College, where she received the Ana Itelman Prize for Choreography (2011). Engelstein holds a B.A. from Colorado College.