Tei Blow
Artist Statement
My work blends the strategies I have learned from performance, media design, and installation. Each form tries to show one facet of meaning, while the others work to conceal it. I fixate on the exploration of media, a VHS tape, a fog machine, a YouTube video, a brochure about sheds, or a diary from the 1300s. I try to make connections. I try to show everything I am seeing without too much explanation. I try to get the viewer to a space where they contemplate our current state of inseparability—the interconnectedness of technology, humanity, production and consumption.
- December 2023
Biography
Tei Blow is a media artist and performer working with archives and the digital signal processing techniques used to store, alter, and transport these archives. His work is an exploration of the history of bricolage (the creation of a work from a diverse range of things that happen to be available) as a cultural phenomenon and artistic practice.
Blow works with found material including sound, video, and objects with a focus on media artifacts and technological processes which he edits to express the inarticulable. His creative partnership with Sean McElroy, Royal Osiris Karaoke Ensemble (ROKE), is a “musical priesthood” that explores metaphysics, mythologies of love, desire, and courtship at the end of the twentieth century, utilizing techniques of installation art, opera, and theater to create modern-day multimedia rituals.
Blow’s piece Fellow Traveler takes a speculative approach to the figures of George Orwell and Charlie Chaplin as a means of exploring the relationship between artists, labor unions, governments, and propagandists. Set in a future where Orwell and Chaplin are long forgotten, the two are reincarnated as high school teachers organizing a play adaptation of 1984 which incorporates the dialogue from Norah Ephron’s When Harry Met Sally. The work explores the selective voice of history and the evolution of ideas into legacy.
Spiral Mandala Ceremony, 2022, shown at the Japan Society, New York, NY, reimagines the compositions of Yu Kuwabara and the Shomyo no Kai ensemble of chanting monks. His other performances as a part of the Royal Osiris Karaoke Ensemble include The Sprezzaturameron (Book 1): The Apologia at the Baryshnikov Arts Center, New York, NY (2021), and The Art of LUV (Parts 1-6) (2013-2019) performed at venues including The Public Theater, New York, NY, The Bushwick Starr in Brooklyn, NY, Abrons Art Center, New York, NY, and LUV Pavilion, New York, NY.
Blow has received the Henry Hewes Design Award (2023), the NYSCA Support for Artists Award (2023), the Creative Capital Award (2016) with Royal Osiris Karaoke Ensemble, and the New York Dance and Performance “Bessie” Award for Outstanding Sound Design (2015) for his work on I Understand Everything Better Now with David Neumann/The Advanced Beginners’ Group.
Blow is a professor and member of the Theater Faculty at Sarah Lawrence College in Bronxville, NY.